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Illustrator: Creating an art brush

You use artwork from an illustration to

define the art brush. You can change the direction and size of objects painted along a path with art brushes and also flip the objects along the path or across the path.

To create an art brush:

1 Select the artwork to be used as an art brush.

2 Click the New Brush button in the Brushes palette, or choose New Brush from the palette menu. Select New Art Brush and click OK.

3 In the Name text box, enter a name for the brush (up to 30 characters).

4 For Direction, click a button for the direction in which you want the art to be drawn as you drag the paintbrush. In each button, the arrowhead represents the end of the brush stroke.

When you drag the paintbrush in the artwork window, the art is drawn as follows:

For , the left side of the art is the end of the stroke.

For , the right side of the art is the end of the stroke.

For , the top of the art is the end of the stroke.

For , the bottom of the art is the end of the stroke.

5 For Size, enter a percentage by which to scale the art in the Width text box. To preserve the proportion, select Proportional.

6 To change the orientation of the art on the path, choose Flip Along or Flip Across.

7 Choose a method of colorization from the Method pop-up menu.

8 Click OK.

you are done...........!

see how to create scatter brushes in illustrator?

see how to create calligraphic brush in illustrator?

Illustrator: Creating a scatter brush

You use artwork from an illustration to define the scatter brush. You can change the size, spacing, scatter pattern, and rotation of objects painted on a path with scatter brushes.

To create a scatter brush:

1 Select the artwork to be used as a scatter brush.

2 Click the New Brush button in the Brushes palette, or choose New Brush from the palette menu. Select New Scatter Brush and click OK.

3 In the Name text box, enter a name for the brush (up to 30 characters).

4 Drag each Minimum slider or enter a value in each leftmost text box for the brush’s size, spacing, scattering, and angle of rotation:

Size controls the size of the objects.

Spacing controls the amount of space between objects.

Scatter controls how closely objects follow the path independently on each side of the path. The higher the value, the farther the objects are from the path.

Rotation controls the angle of rotation of the objects.

5 From each pop-up menu, choose the way in which you want to control variations in the size, spacing, scattering, and rotation:

Choose Fixed to use the value in the associated text box. For example, when the Scatter value is 50%, Fixed always uses 50% to scatter objects along the path.

Choose Random to use a random value. When you choose Random, you also need to enter a value in the rightmost text box, or use the Maximum slider, to specify the range by which the brush characteristic can vary. For each stroke, Random uses any value between the Minimum and the Maximum value. For example, when the Minimum value is 50% and the Maximum value is 100% for Size, the objects’ sizes can be 50%, or 100%, or any size in between.

Choose Pressure (if you will use the brush with a graphics tablet) to use a value determined by the pressure of your stylus. When you choose Pressure, you also need to enter a value in the rightmost text box, or use the Maximum slider. Pressure uses the Minimum value for the lightest tablet pressure and the Maximum value for the heaviest pressure. The heavier the stroke, the larger the objects.

Note: To keep the same range of values between the two sliders, Shift-drag the sliders. To move the sliders an equal value apart or together, Alt-drag (Windows) or Option-drag (Mac OS) them.

6 Choose a relative orientation from the Rotation Relative To pop-up menu:

For Page, the angle of rotation of scattered objects is relative to the page (0 degrees points to the top).

For Path, the angle of rotation of scattered objects is relative to the path (0 degrees is tangent to the path).

7 Choose a method of colorization from the Method pop-up menu.

8 Click OK.

See How to create Calligraphic Brush in Illustrator?

See How to create art Brush in Illustrator?

Note: see the images at the end of this tutorial.....

Illustrator: Creating a calligraphic brush

Creating brushes

You can create each of the four types of brushes in the Brushes palette. All brushes must be made up of simple open and closed path vectors. Brushes cannot have gradients, blends, other brush strokes, mesh objects, bitmap images, graphs, placed files, or masks.

Art brushes and pattern brushes cannot include type. However, to achieve a brush stroke effect with type, create an outline of the type and then create a brush with the outline.

Creating a calligraphic brush

You can change the angle, roundness, and diameter of strokes painted with calligraphic brushes.

To create a calligraphic brush:

1 Click the New Brush button in the Brushes palette, or choose New Brush from the palette menu. Select New Calligraphic Brush and click OK.

2 In the Name text box, enter a name for the brush (up to 30 characters).

3 Specify values for the angle, roundness, and diameter of the brush (the preview in the dialog box reflects your settings):

To set the ellipse angle of rotation, drag the arrowhead in the preview, or enter a value in the Angle text box.

To set the roundness, drag a black dot in the preview away from or toward the center, or enter a value in the Roundness text box. The higher the value, the greater the roundness.

To set the diameter, use the Diameter slider, or enter a value in the Diameter text box.

4 From each pop-up menu, choose the way in which you want to control variations in the angle, roundness, and diameter:

Choose Fixed to use the value in the associated text box. For example, when the Diameter value is 20, Fixed always uses 20 for the brush diameter.

Choose Random to use a random value within a specified range. When you choose Random, you also need to enter a value in the Variation text box, or use the Variation slider, to specify the range by which the brush characteristic can vary. For each stroke, Random uses any value between that in the text box for the brush characteristic plus or minus the Variation value. For example, when the Diameter value is 15 and the Variation value is 5, the diameter can be 10, or 20, or any value in between.

Choose Pressure (if you will use the brush with a graphics tablet) to use a value determined by the pressure of your stylus. When you choose Pressure, you also need to enter a value in the Variation text box, or use the Variation slider. Pressure uses the value in the text box for the brush characteristic minus the Variation value for the lightest tablet pressure. It uses the value in the text box for the brush characteristic plus the Variation value for the heaviest pressure. For example, when the Roundness value is 75% and the Variation value is 25%, the lightest stroke is 50% and the heaviest stroke is 100%. The lighter the pressure, the more angular the brush stroke.

5 Click OK.

See how to create art brush in illustrator?

See how to create scatter in illustrator?

Note: see the images at the end of this tutorial.............

Illustrator: Why colors sometimes don’t match?

No device in a publishing system is capable of reproducing the full range of colors viewable to the human eye. Each device operates within a specific color space which can produce a certain range, or gamut, of colors.

The RGB (red, green, blue) and CMYK (cyan, magenta, yellow, and black) color models represent two main categories of color spaces. The gamuts of the RGB and CMYK spaces are very different; while the RGB gamut is generally larger (that is, capable of representing more colors) than CMYK, some CMYK colors still fall outside the RGB gamut. In addition, different devices produce slightly different gamuts within the same color model. For example, a variety of RGB spaces can exist among scanners and monitors, and a variety of CMYK spaces can exist among printing presses.

Because of these varying color spaces, colors can shift in appearance as you transfer documents between different devices. Color variations can result from different image sources (scanners and software produce art using different color spaces), differences in brands of computer monitors, differences in the way software applications define color, differences in print media (newsprint paper reproduces a smaller gamut than magazine quality paper), and other natural variations, such as manufacturing differences in monitors or monitor age.

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