See the detailed info about Airbrushes (How they behave)
The Continuous Stroke Airbrush Dab
The airbrush, as it appears in many digital applications, is a simplified cousin of its traditional counterpart. The digital airbrush stroke is made by closely spacing a round soft-edged dab of concentrically graduated density. This brush is highly useful for many subtle density-building tasks like photographic dodging and burning (shadow and highlight addition). However, it lacks the graphic grittiness found in the traditional airbrush. The Continuous Stroke Airbrush dab encompasses many attributes associated with the traditional compressed air-driven airbrush. This dab, like the other dabs in the Continuous Stroke suite, is tilt and bearing sensitive.
When set to Continuous deposition, the airbrush sprays as long as it is triggered (usually by pressure). These physical modeling attributes combine to provide a very realistic simulation. A good representative variant illustrating the characteristics of the Airbrush dab is the Fine Spray (Brush Selector Bar: Airbrushes).
The density distribution of the Airbrush Dab is controlled by the top six profiles in the Size palette (Brush Controls). These profiles are representations that graph the amount of density across the width of the dab. Each profile weights the density distribution differently, resulting in a unique visual character.
Spread and Flow
The Airbrush palette provides additional control over the distribution of individual droplets: Spread and Flow. These controls mimic similar adjustments that can be made on a traditional airbrush and are found in the Airbrush palette (Brush Controls) as well as on the Brush Property Bar. The Spread slider controls the maximum angle of dispersion of the airbrush spray. Conversely, the Min Spread slider limits the minimum allowed dispersion. The Flow slider controls the rate at which droplets are emitted from the Airbrush. As flow is increased, droplets are deposited more quickly. Conversely, the Min Flow slider limits the minimum allowed flow.
Continuous Stroke brushes that render lines use Feature Size (Brush Controls: Size) to adjust the hair density of a dab. Because the Airbrush dab is applying individual droplets, this control is used to control the size of the droplets. For variety, the Random option of the Expression pop-up can be used to
randomize the droplet size.
The Wacom Airbrush Stylus
For enhanced airbrush simulation, the Wacom Airbrush Stylus is an option. This stylus replicates the shape and wheel control with respect to many traditional airbrush designs. Painter recognizes the wheel control when an airbrush stylus is present. The airbrush palette’s Expression Pop-up includes the Wheel option. Used in conjunction with the Wacom airbrush stylus, this option is used to control flow rate with an ergonomically correct interface.
Besides the sub-pixel droplet enabled Airbrush Dab, there are three additional dabs that enable a wide variety of expression
The Pixel Airbrush operates the same in all respects to the above-described Airbrush, with the exception of the droplet output. Droplets from the Pixel Airbrush are not sub-pixel accurate. Rather, all droplets are represented by a single pixel. This method requires less processor bandwidth and is particularly useful on slower machines. However, the quality of output is not as high as the Airbrush dab.
The Line Airbrush operates the same in all respects to the above-described Airbrush, with a major exception being that the actual droplet paths are rendered instead of the droplet’s final landing spot. The result is a novel mark-making tool that approximates natural growth phenomena like hair and grass, as well as energetic dispersions like sparks. The Furry Brush (Brush Selector Bar: FX) uses this dab with the addition of Color Variability to differentiate the individual lines. The Hair Spray (Brush Selector Bar: FX) doesn’t apply color; it moves existing color on the canvas or layer in an energetic fashion. For Line Airbrush dabs, the Random slider can be used to adjust the character of the emanating lines.
The Projected Dab Type operates the same in all respects to the above-described Airbrush, with the exception that a filled the conical area of the dab with the current color. This largely approximates Painter’s earlier dab-based airbrush with the addition of Tilt and Bearing control over the eccentricity of the circular shape.
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